Fist covering hand downwards

Stretch right hand from elbow – straight forward, pull back towards left. Left hand covers the right arm, circle the elbow, stretch right arm while placing left hand middle of chest(thumb near chest), rotate the hip towards left stretching all the way while locking right elbow and shoulder.

Drop both hands on the side.

Double negative circle- right hand near the face -left hand straight-left hand palm up drop just above right knee making fist- right hand make a fist- stretch downwards just above right knee – make a fist left hand and stretch opposite side opening the Kua towards the left. All one move

The lock is on right side and the stretch from the hip is towards the left.

Forward double push hands

Right hand positive circle start with elbow in out with hand 2nd positive circle elbow in touch the elbow to right side, lock and rotate torso to left as much as possible

Open left foot using the heel, lock the left side

Step forward pulling right foot ret on toes

Right hand forward, palm up, slightly bend the elbow, left hand palm up and beside the elbow

Step the right foot out 90 degrees lock right side, pull the left foot and place it beside right foot hands placed in front of the body… double push hands, palm facing downwards, chest height.

PMNATC2017_1 Read more

We are excited to announce that Master Chen Zhonghua will return to Phoenix in January 2018 to give Practical Method workshop. The dates, January 20 and 21 (Saturday and Sunday), are confirmed. Save the dates and don’t miss this exciting opportunity.

The workshop will focus on Gongfa (foundations) and Quanfa (forms in Yilu and Cannon Fist).

Workshop Venue: World Martial Arts Academy, 2028 N 16th St, Phoenix, AZ 85006

Time: 9am to noon; 2pm to 5pm.

Workshop Fee:          Register by January 10, $300 for both days (lunches are included);

$200 for one day.

Register after January 10, $350 for both days, $250 for one day.

 

Send the check or money order to Ping Wei (Pay to Ping Wei),

10622 N. 8th Street, Phoenix, AZ 85020

 

If you have any questions, please call or email Ping Wei, 602-373-3457.

peace_defender2003@yahoo.com.

 

 

Fist Draping Over Body (Pi Shen Chui) and Lean with Back (Bei Zhe Kao) 

Double negative circle: Left hand negative circle, right hand elbow in place hand in punch form just above the left knee, right hand negative elbow in place hand in punch form just above the left knee. Repeat twice.

Right arm turn clockwise and raise the arm to crown. Hand in punch form. Left hand rests on the Kua and stretch open. The line and the stretches should be from left heel to right

Cross Hands (Shi Zi Shou) 

Double negative circle, left arm stretched on left side and right arm stretched on the right side higher than left arm, Continue the negative brining arms in a cross position, right above the left, hands in punch form, opposite to the chest, elbows tucked and facing the ground, same time  slide right foot heel first to the right and land.

You can also see a few pictures here.

First part is on Daqingshan mountain, second part is in the new Rizhao Practical Method center near the beach.


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www.practicalmethod.pl/en

Buddha’s Warrior Attendant Pounds Mortar (Jin Gang Dao Dui) Toronto North York Taiji Class on April 20, 2017

Right turn palm motor. Positive and negative circle at the same time. Close left feet. Finish with left turn palm motor

Wade Forward in Twist Steps (Qian Tang Ao Bu) Toronto North York Taiji Class on April 13, 2017

Open left leg stretch arms open as if going through a canal. Left arm cross the right arm while left leg pull up.

Lean left leg on toes and rest ->

Land left leg on the heel with toes up. Rotate the left fixed knee-heel-toes triangle on the heel to land the toes.

Tai Chi Gdynia

Detailed information and registration here.

Welcome to Gdynia!

See also impressions of 2016 and 2015 workshops in Poland.

Mark Hanley i

by Kelvin Ho on 2017/04/22

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Name: Mark Hanley
Class: Richmond Hill
Practical Method Start Date: Oct. 15, 2016
Martial Art Experience: Karate Black Belt, and practiced Yang Taiji previously

Bruce Robinson i

by Kelvin Ho on 2017/04/22

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Name: Bruce Robinson
Class: Richmond Hill
Practical Method Start Date: May 23, 2015
Martial Art Experience: Practiced Aikido and Yang Taiji previously.

Kewei Sun i

by Kelvin Ho on 2017/04/22

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Name: Kewei Sun
Class: Richmond Hill
Practical Method Start Date: May 23, 2015
Martial Art Experience: Practiced Iron Shirt when he was young.

Lucas Lu i

by Kelvin Ho on 2017/04/22

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Name: Lucas Lu
Class: Richmond Hill
Practical Method Start Date: June 27, 2015

Peter Li i

by Kelvin Ho on 2017/04/22

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Name: Peter Li
Class: Richmond Hill
Practical Method Start Date: Mar. 25, 2017

First European Practical Method meeting

The first European Practical Method meeting took place in Vienna in late winter 2017. On 17. – 19. February, people from Göttingen, Berlin and Vienna convened in this wonderful city to practice and exchange experiences.

On Saturday and Sunday, we dedicated a lot of time to practice the Yilu. Also, we worked on basic foundations and put special emphasis on progressions in partner work. Special thanks to Rick, who instructed us in these progressions in the most precise and knowledgeable way.

Altogether, it was a great meeting. I am sure that everyone had her or his very personal insights and “aha!”-moments. I myself, being relatively new to Taiji, surely learned a mountain of things. It has been really motivating to see other people with more experience practicing Taiji.

Many of us already knew each other, having met before on workshops or at Daqingshan, now having the chance to catch up on what happen since then. But many also could get to know each other for the first time. Being able to practice with many enthusiastic and committed people made the days in Vienna an invaluable experience.

Many thanks to Carlotta, Pawel, Fabian and Rick, who made the meeting possible. Thanks to your commitment, it has been a wonderful and enriching weekend. Hope to see all of you again and many more on the next meeting, which will probably be hosted in Berlin in 2018.

Best wishes, Jann

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Left to Right:Dominic Lo, Ken Fong, Eric Foo, Kevin Sun, Lucas Lu, Kelvin Ho, Bruce Robinson, Peter Li, Mark Hanley, Patrick Kuo


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Cathedral-Markham

Location: Vine Cliff Park – Vine Cliff Blvd and Hazelton Ave.
Date: Apr 9, 2017
Time: 8 am – 10:30 am
Instructor: Kelvin Ho
Fee: Free and open to public

If it rains that day, the event location will be moved to:
Bayview Hill Community Centre (open area near the pool)
114 Spadina Rd, Richmond Hill, ON L4B 2Y9

This open class is an event to pre-celebrate World Taiji Day, which will be on Apr 29, 2017. It welcomes anyone interested in learning tai chi. It will let participants experience a typical class, which includes foundations, form and push hands.

See you there!

Registration is recommended, please contact Kelvin Ho by emailing kelvin.ho@practicalmethod.ca or texting 647-738-8384.

fetching water,
– you must be in front bow stance with weight on front
– back hand open on belly
– front arm down open hand to thigh
– move front KWA out as the only movement – when front arm moves bring elbow to body

Kelvin ho had us doing this foundation exercise today. Issues I had around the move that I experienced

1. Moving shoulders ( I needed to press down first, move the kwa and capture the internal movement to go across my belly rather than up to my back shoulder)

Kelvin indicated that once stretched I should hold it for a minute or two to help loosen the kwa.

2. Moving front hands and arms independently ( the kwa works like a lever attached to the rope and pail gathering well water; when the rope moves back and forth so does the pail) the hands and arm cannot move independently

3. stance too high , I needed to perform the above in a lower stance

Watching the teacher during practice sessions 

In the beginning I used to observer my teacher’s external form. Where is his hands, the right or left moves first, what’s the next move, how high is his hands. Then I learned to observe beyond the physical form. Where is the weight, his focus, which parts of his body he is locking and releasing, path of movement and connection, parts that are strong and relaxed. How the weight is counterbalanced with hands out stretched, or leaning forward/backward.

Then Self-reflection and assessment is key. Understanding how the body works and moves. Physical appearance: grounding, stretching out, grounding more while expending to maintain balance.

Why we shift weight and settle into posture by dropping weight. – My observation of my teacher- dropping weight grounds the body and creates effectiveness. I.e. stepping into opponent’s space- weight forward – settling into pose, structure and weight drop to create effectiveness.

Toronto North York Taiji Class on March 30, 2017

3 steps

Half horse stance posture

Bring right hand 45 degree palm up – Just above the left thigh

Bring left hand near right hand 45 degree palm up, elbows touching in a straight line Pull elbows to dantian at the same time bringing left foot (with toes) in beside the right foot. Rest the heel of the foot. All should be one action, like a bullet.

Things to check.

  • Keep hands straight and locked at all times
  • Keep back straight and lock the right side. Imagine there is a bar from back of right shoulder to right heel.

Review of Positive circle
-elbow in do not move hand or wrist
– twist waist without moving hips
– hand out do not move elbow
– do not move off the finger line to the exact spot on the opponent

starting in front bow stance after bringing in my elbow, I found that when I twisted my waist my weight moved off the front foot. Kelvin Ho corrected this by calling out when my weight incorrectly changed from my front foot. The twisting of the waist helps bring the elbow to the centerline. It requires a lot of focus to keep the fingers leading when going out torqueing the arm while not letting the elbow get away and keeping it down.

Kelvin Ho was invited to perform taijiquan during multi-cultural week at Sir Wilfrid Laurier Public School on Mar. 23, 2017.

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  • Kelvin Ho corrected me on proper formation & alignment of tile hand (palm) which I find has helped me considerably whilst performing both the negative and positive arm circles
  • In addition Kelvin re-iterated the concept of having a stick in the arms especially from the elbow to the finger tips and with the proper use of the aforementioned hand alignment while going out with the hand & in with the elbow, without deviation by  bending at the wrist which I  have been doing ,has helped a lot
  • To be clear I did not believe or at  least I did not think I was bending at the wrist during this process, however, he pointed out that I was indeed doing so as as a means of compensating for my inflexibility in bringing the elbow in to touch the waist in the proper spot.
  •  I was really pleased today that a new chap joined our class. Having just recently completed the choreography of the entire form Kelvin has at this juncture decided to return to the start of the form and systematically move sequentially forward. Now, in all probability he has explained the breakdown of the various movements using the same words he has used before (probably many times) ,however, at least in my case today, I actually understood them more clearly than ever before which I must confess made me both happy and  more inspired to continue practicing
  • What I found when breaking down the 1st part of the first move “Budda’s Warrior Attendent Pounds Mortar”  is that when required to bring the foot in before shovelling it back out on a 45 degree angle, is that the entire core muscle groups are used to “pull” the foot in. Previously I was rising to make it easier to bring the foot in & today I was told to go lower down and activate those front/back core muscles, tendons & ligaments etc….Big difference doing it this way (properly).. to be sure.

1) Today we practiced not moving the knee forward during movements involving steping forward. Think of “stretching” hamstring and calf muscle as if knee pushing those 2 points apart (like a triangle )

Corrections in first movement when arms leads out to right after foot shovels forward-should be a positive circle leading with hand.

Also in first move as arms sweeps through to front, lead with elbow and don’t let arm or elbow drop lower.

In second movement correction was to make sure I never see my palm. Don’t turn wrist.

 

2) White Crane Spreads its Wings

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Perth 2016 Open House i

by admin2 on 2017/03/12

Like one drink sets an alcoholic back after 50 years of abstaining – so it is if we add a move (like move the hand)

Bigger from the kua

If you need to move the knee, fix the hip.  If you need to move the hip, fix the knee.
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I had an interesting experience lately. I took singing classes with a professional classical singer. It was only one single event, but I learned two important things in those one and a half hours which are not only reflecting back on my Taijiquan but also on my life in general.

Western Learning Methods
Everything is about intellectually understanding things. After listening to my singing for a short time and before the teaching started I got two or three pages of text describing how the breathing organs work and how those relate to singing. Doing Practical Method for a while now and being in contact with eastern learning methods I just skipped through the pages to see if there’s something useful. I asked the teacher whether knowing this stuff is of any importance, especially in the beginning. She said, being a little puzzled, that most people want to know what they are doing, first. Intellectually. I explained, that I do PM and I trust her as a teacher to lead me through exercises which she figures are important for me at my current state. She started teaching me.

Feeling Awkward
With different exercises she tried to get me in a mode where the voice was full. She put me on a stepper on which I had to walk while singing. At some point I had to lean forward in a shoulder wide stance. Singing “dui dui dui” up and down the scale in this position felt strange and she directed me saying “try this” or “try that”. At some point my voice felt awkward. The setting of my muscles in my vocal tract was so wrong. I even got a little scared somehow. I stopped after being in this state for not even a second. Suddenly the teacher almost shouted at me: “why did you stop?! That was wonderful! Do it again!”
Unfortunately, I couldn’t find that setting during the remaining 15 minutes of the lesson.

This moment, when the awkwardness was on its peek was the moment when the door opened. I didn’t step through it, but now I know it’s there, at least. Even if I would have find this door without the teacher, I would be convinced that it’s the wrong door.

Two ends fixed, move the middle

Two ends fixed, move the middle

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