4- Right hand thumb touches middle finger (making a circle) – right foot toes turns inside
5- left legs opens with heel horse stance
6- Rest the toes of left leg
7- Left hand positive circle
Adjust posture so elbows and knees are slightly bend and hands are stretched (Like T). Drop shoulders “resting” wrists stretched. Keep the right hand thumb touching middle finger (circle).
Turn Left and Buddha’s Warrior Attendant Pounds Mortar (Zuo Zhuan Shen Dao Dui)
6 moves
1- Left hand negative circle – right positive circle same time – both elbow in the middle of torso close to the body. Right fingers still holding the “circle”
2- Left opens negative circle stretched right hand near left elbow.
3- Standing Buddha’s Warrior– stretch arms, keep wrists straight and open the chest by stretching , tummy tucked in, left shoulder backwards
4- Open left feet from heel to left
5- Turn left while dragging right leg and resting on the toes of right foot (same as last moves of golden warrior – Pull right leg in front of you together with right arm resting on toes / elbow in – raise leg – knee should touch the elbow. Rest of the body shouldn’t move.
6- Last move of golden warrior except rather than fist in palm, left hand palm open rests on left hand (fist posture) (Legs same as starting position, elbows touching body.)
Just recently we had the honor to serve as a story in one magazine in China “Women of China”. They have a print version beside their online platform at www.womenofchina.com.cn.
Here the two pages, thanks to Sarah Wang for the allowance to publish it.
At this point I also want to remind on our living project on the mountain. We still need some people who might be interested. Within the next season there are some candidates among our full-time students already. We are looking forward. All related information can be found … here
I have a question about the shoulders or more specific the shoulder blades in these exercises.
Fetch water:
When you practice fetch water, does the (front) shoulder blade rotate/move up or down (the back)? As for the other shoulder, does it Always do the reverse?
My experience is that it rotates up and “over the shoulder”
Positive circle:
In the first part, rotates the (front) blade up or down and what about the second part?
My experience is that the blade in the first part rotates up “and over” the shoulder and in de second part it drops/rotates down the back.
Futher I feel a very distinctive flip when you transfer from the first part of the circle to the second part of the circle. I can remember master Chen talking about it in some videos.
This week it’s been 2 years, since my magical journey in Practical Method Taiji started on Daqingshan Mountain.
Weather has already gotten warmer here in Greece, so last night I went on the balcony to do some Yilus. There is something special in practicing Yilu under the stars! A light breeze from the north, made the stars to shine bright in the dark night. As soon as I started doing the Yilu, immediately my first thought went to Daqingshan!
Having spent almost 7 moths on the mountain, we passed many nights under the sky, since we had almost every night training sessions at 20:00, which included mostly Yilus, foundations, push-hands from time to time and various events, mostly in the summer. Read more
I had an interesting experience lately. I took singing classes with a professional classical singer. It was only one single event, but I learned two important things in those one and a half hours which are not only reflecting back on my Taijiquan but also on my life in general.
Western Learning Methods
Everything is about intellectually understanding things. After listening to my singing for a short time and before the teaching started I got two or three pages of text describing how the breathing organs work and how those relate to singing. Doing Practical Method for a while now and being in contact with eastern learning methods I just skipped through the pages to see if there’s something useful. I asked the teacher whether knowing this stuff is of any importance, especially in the beginning. She said, being a little puzzled, that most people want to know what they are doing, first. Intellectually. I explained, that I do PM and I trust her as a teacher to lead me through exercises which she figures are important for me at my current state. She started teaching me.
Feeling Awkward
With different exercises she tried to get me in a mode where the voice was full. She put me on a stepper on which I had to walk while singing. At some point I had to lean forward in a shoulder wide stance. Singing “dui dui dui” up and down the scale in this position felt strange and she directed me saying “try this” or “try that”. At some point my voice felt awkward. The setting of my muscles in my vocal tract was so wrong. I even got a little scared somehow. I stopped after being in this state for not even a second. Suddenly the teacher almost shouted at me: “why did you stop?! That was wonderful! Do it again!”
Unfortunately, I couldn’t find that setting during the remaining 15 minutes of the lesson.
This moment, when the awkwardness was on its peek was the moment when the door opened. I didn’t step through it, but now I know it’s there, at least. Even if I would have find this door without the teacher, I would be convinced that it’s the wrong door.
Last week Kelvin Ho review turning flower out at bottom of sea. he posted a video and the following points
1) Maintain a non-moving vertical rod from head to left heel throughout the action.
2) Hold the right forearm in front of the chest with a fist, while the left fist is on the side of the body.
3) Throw the right fist down to the right side as hard as possible with a raising right knee to create a scissoring effect, while throwing the left fist up to the left ear.
4) There should be no tossing or turning of the body, but there is a spiral stretch along the vertical rod Read more
Practical Method Meetup in Vienna, Europe 17th – 19th February 2017
What a cool experience! On 17th of February 2017 we had the first PM Meetup in Europe. A meetup which was dedicated to meet other groups practicing our art. It was no workshop in that sense, but we were lucky, that Rick Pietila, a disciple of Master Chen was still in Vienna at that time and was leading most of the training. He prepared a training schedule which build up over the course of the meetup. Everybody was exhausted afterwards, but happy to meet other peers and to have learned so much from Rick.
1) Maintain a non-moving vertical rod from head to left heel throughout the action.
2) Hold the right forearm in front of the chest with a fist, while the left fist is on the side of the body.
3) Throw the right fist down to the right side as hard as possible with a raising right knee to create a scissoring effect, while throwing the left fist up to the left ear.
4) There should be no tossing or turning of the body, but there is a spiral stretch along the vertical rod.
Master Chen’s disciple Ping Wei will again teach Practical Method foundations and Yilu on March 26 (Sunday, 9:30am-1pm and 2-5pm) in Irvine, California. For location and other details, please contact Al Yu at 949-331-2735, or email: mralyu@yahoo.com.
On a mild holiday weekend, more than thirty participants from Hong Kong, the Mainland, Canada and India gathered to train with Master Chen. A special thanks to Ling Zili who came from Daqinshan to help with the workshop. For two days, Master Chen started with the foundations, then continued with moving, the first thirteen moves of Yilu and occasional bouts of applications training. Master Chen clearly explain how each type of training is directly related to theory of Chen Taijiquan.
3 Videos with Theory, Student Practice and Correction on Twist Towel, Fetch Water, Six Sealing Four Closing
Presenter: Chen Zhonghua Length: 28 min. In: English Year: 2016 Difficulty:1/5 At:Perth
Yesterday I could attend the class of Nicholas Fung, situated in the middle of Hong Kong. We have been five students and trained for two hours, which passed by surprisingly quickly.
1) Content
– First we did fetch water with yoga blocks. We did fifty each side, break and another fifty.
– Then we focused on elbow in and used rubber cords for the feedback. We did again fifty each side, break and another fifty. Read more