yilu one piece power
Presenter: Chen Zhonghua   Length: 10 min.   In: English   Year: 2016  Difficulty:1/5

Prague 2016-8
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Basic Foundations 6

by Kelvin Ho on 2017/03/27

  1. Twisting the towel
  2. Fetch Water
  3. Six Sealing Four Closing
  4. Positive Circle
  5. Negative Circle
  6. Double Positive Circle
  7. Double Negative Circle (together)
  8. Double Negative Circle (alternate)
  9. Positive-Negative Circle (Pole shaking)
  10. Positive Circle – Moving Step
  11. Negative Circle – Moving Step
  12. Six Sealing Four Closing – Moving Step
  13. Double Positive Circle – Moving Step
  14. Double Negative Circle (alternate) – Moving Step
  15. Positive-Negative Circle – Moving Step

Review of negative circle
– elbow in hand on outside
– drop hand strait down
– hand out once at elbow torqueing forearm keeping elbow down

starting in front bow stance after bringing in my elbow hand on outside, I found that bringing the hand down helped keep my elbow aligned when the hand went out kelvin Ho reminded me to keep my elbow down. We also performed cross hands draping over the body. Kelvin showed me how the end position had stability by aligning the elbow with the back foot with the fist out like a punch. Kelvin’s hand wrapped my punch and pushed.

Review of Positive circle
-elbow in do not move hand or wrist
– twist waist without moving hips
– hand out do not move elbow
– do not move off the finger line to the exact spot on the opponent

starting in front bow stance after bringing in my elbow, I found that when I twisted my waist my weight moved off the front foot. Kelvin Ho corrected this by calling out when my weight incorrectly changed from my front foot. The twisting of the waist helps bring the elbow to the centerline. It requires a lot of focus to keep the fingers leading when going out torqueing the arm while not letting the elbow get away and keeping it down.

Kelvin Ho was invited to perform taijiquan during multi-cultural week at Sir Wilfrid Laurier Public School on Mar. 23, 2017.

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  • Kelvin Ho corrected me on proper formation & alignment of tile hand (palm) which I find has helped me considerably whilst performing both the negative and positive arm circles
  • In addition Kelvin re-iterated the concept of having a stick in the arms especially from the elbow to the finger tips and with the proper use of the aforementioned hand alignment while going out with the hand & in with the elbow, without deviation by  bending at the wrist which I  have been doing ,has helped a lot
  • To be clear I did not believe or at  least I did not think I was bending at the wrist during this process, however, he pointed out that I was indeed doing so as as a means of compensating for my inflexibility in bringing the elbow in to touch the waist in the proper spot.
  •  I was really pleased today that a new chap joined our class. Having just recently completed the choreography of the entire form Kelvin has at this juncture decided to return to the start of the form and systematically move sequentially forward. Now, in all probability he has explained the breakdown of the various movements using the same words he has used before (probably many times) ,however, at least in my case today, I actually understood them more clearly than ever before which I must confess made me both happy and  more inspired to continue practicing
  • What I found when breaking down the 1st part of the first move “Budda’s Warrior Attendent Pounds Mortar”  is that when required to bring the foot in before shovelling it back out on a 45 degree angle, is that the entire core muscle groups are used to “pull” the foot in. Previously I was rising to make it easier to bring the foot in & today I was told to go lower down and activate those front/back core muscles, tendons & ligaments etc….Big difference doing it this way (properly).. to be sure.

Yilu 13 Correction i

by admin2 on 2017/03/25

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rubber cord practice for stance switching
Presenter: Chen Zhonghua   Length: 10 min.   In: English   Year: 2016  Difficulty:1/5

Prague 2016-7
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Things to remember 

  • Never push your opponent- just stretch your body
  • Find an empty space and direct the force to the emptiness
  • Constantly adjust to your opponent push by filling the space between you and your opponent.
  • When stretching, stretch along the length of your body ( vertical stretch)
  • Lock one side always so you can move your other part.
  • When your lower body is advancing your upper body will need to retrieve backward.
  • When stretching arms, lock shoulders and wrist, cage ribs. Energy will come from chest
  • The closer you are the more you will be able to stretch
  • When moving your body forward “sneaking in” to get closer to your opponent, feet in first then hands.
  • Chest/ rib always tucked in/ caged
  • Lock elbow, shoulder and wrist and open your Kua. Force will come from hip.
  • There are always 3 points, if you gave one point to your opponent, then lock/control the other two points

6 steps

While still weight on right leg and left resting on toes

Right had negative circle (elbow from above), left hand negative circle – (stretching back)

Left leg open forward with heel

Step down (toes should be straight pointing straight forward)

Left hand negative circle and make a fingers “ring” (thumb touching middle finger)

Right hand positive circle

Things to check.

Elbows should be above left thigh

When arms stretched elbows should be pointing to the earth

Center always locked and stretched

Introduction, Taijiquan push practice
Presenter: Chen Zhonghua   Length: 20 min.   In: English   Year: 2016  Difficulty:1/5

Prague 2016-5/6
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‘ Behind Enemy Lines ‘

This is an expression Master Chen uses that I find particularly helpful in understanding the procedure for utilizing the method of fighting taught in the recent video ‘ Move into empty space ‘.

Engage the opponent

… this creates a ‘ front line ‘ like on a battlefield, causing the opponent to commit his troops to maintain that line. This is the same as the demarcation line. The key seems to be to cause the opponent to commit enough of his ‘ forces ‘ and attention to preoccupy him, while you move to step 2

Move into empty space ( Go behind enemy lines )

…. while maintaining the front line, you must use stealth to maneuver, another force to take up a position behind enemy lines, ( beyond the demarcation ( front line ) by moving into the empty space. The keys are, you must maintain the front line, the movement of the secondary forces must neither disturb the front line, nor should they be construed as a threat. In keeping with taiji threory, if the two ends are locked ( non moving ) this requires we move whats in the middle, ideally getting the kua in, (kua to kua)

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Move the inside
Presenter: Chen Zhonghua   Length: 11 min.   In: English   Year: 2016  Difficulty:1/5

Prague 2016-4
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1) Today we practiced not moving the knee forward during movements involving steping forward. Think of “stretching” hamstring and calf muscle as if knee pushing those 2 points apart (like a triangle )

Corrections in first movement when arms leads out to right after foot shovels forward-should be a positive circle leading with hand.

Also in first move as arms sweeps through to front, lead with elbow and don’t let arm or elbow drop lower.

In second movement correction was to make sure I never see my palm. Don’t turn wrist.

 

2) White Crane Spreads its Wings

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Block Touching the Coat (Lan Ca Yi) 

6 moves

Wrist cross (Like X) right hand on top of left, fingers pointing downwards.
Lower right elbow open

right hand positive circle, left hand close to left hip.

Shift weight on left foot, right arm positive circle and left negative right, leg stretch to horse stance (all same time) landing on heel

Rest the right feet

Stretch right arm positive circle

Six Sealing and Four Closing (Liu Feng Si Bi) 

6 moves

Right hand positive circle twice (move 1, 2 and 3)

4 – Bring left hand middle of the right arm, both hands at the front of torso, left arm elbow touching left ribcage.

5- Pull left leg to rest toes near right leg – same direction and right feet

6- Rest both palms face down – fingers stretched – elbows slightly bend and tucked in

Single Whip (Dan Bian)

7 moves

1, 2, 3 twisting towel

4- Right hand thumb touches middle finger (making a circle) – right foot toes turns inside

5- left legs opens with heel horse stance

6- Rest the toes of left leg

7- Left hand positive circle

Adjust posture so elbows and knees are slightly bend and hands are stretched (Like T). Drop shoulders “resting” wrists stretched. Keep the right hand thumb touching middle finger (circle).

Turn Left and Buddha’s Warrior Attendant Pounds Mortar (Zuo Zhuan Shen Dao Dui)

6 moves

1-      Left hand negative circle – right positive circle same time – both elbow in the middle of torso close to the body. Right fingers still holding the “circle”

2-      Left opens negative circle stretched right hand near left elbow.

3-      Standing Buddha’s Warrior– stretch arms, keep wrists straight and open the chest by stretching , tummy tucked in, left shoulder backwards

4-       Open left feet from heel to left

5-      Turn left while dragging right leg and resting on the toes of right foot  (same as last moves of golden warrior –  Pull right leg in front of you together with right arm resting on toes / elbow in – raise leg – knee should touch the elbow. Rest of the body shouldn’t move.

6-      Last move of golden warrior except rather than fist in palm, left hand palm open rests on left hand (fist posture) (Legs same as starting position, elbows touching body.)

White Crane Spreads its Wings (Bai He Liang Chi)

4 moves

1-      Hands cross X fingers down and stretched

2-      Stretch your arms forward while right leg with toes only stretch backward, slightly right side, knee straight. Curve and lower the back.

3-      Land the heel of the right foot – put your weight on right leg and lock your right side

4-      Pull your left leg and land on your toes, while hands in positive circle stance. Left hand palm above left knee

 

Just recently we had the honor to serve as a story in one magazine in China “Women of China”. They have a print version beside their online platform at www.womenofchina.com.cn.

Here the two pages, thanks to Sarah Wang for the allowance to publish it.

At this point I also want to remind on our living project on the mountain. We still need some people who might be interested. Within the next season there are some candidates among our full-time students already. We are looking forward. All related information can be found   … here

So here the article:


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Perth 2016 Open House i

by admin2 on 2017/03/12

Presenter: Chen Zhonghua   Length: 14 min.   In: English   Year: 2016  Difficulty:1/5

Rick Yilu Correction
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Presenter: Chen Zhonghua   Length: 14 min.   In: English   Year: 2016  Difficulty:1/5

Michael Yilu Correction
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Like one drink sets an alcoholic back after 50 years of abstaining – so it is if we add a move (like move the hand)

Bigger from the kua

If you need to move the knee, fix the hip.  If you need to move the hip, fix the knee.
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Hello everybody,

I have a question about the shoulders or more specific the shoulder blades in these exercises.

Fetch water:

When you practice fetch water, does the (front) shoulder blade rotate/move up or down (the back)? As for the other shoulder, does it Always do the reverse?

My experience is that it rotates up and “over the shoulder”

Positive  circle:

In the first part, rotates the (front) blade up or down and what about the second part?

My experience is that the blade in the first part rotates up “and over” the shoulder and in de second part it drops/rotates down the back.

Negetive circle:

idem, I can imagine it is the same as the positive circle.

Futher I feel a very distinctive flip when you transfer from the first part of the circle to the second part of the circle. I can remember master Chen talking about it in some videos.

Greetings,

Richard

 

Presenter: Chen Zhonghua   Length: 15 min.   In: English   Year: 2016  Difficulty:1/5

Harshil Yilu Correction
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Daqingshan written by Zi LiThis week it’s been 2 years, since my magical journey in Practical Method Taiji started on Daqingshan Mountain.

Weather has already gotten warmer here in Greece, so last night I went on the balcony to do some Yilus. There is something special in practicing Yilu under the stars! A light breeze from the north, made the stars to shine bright in the dark night. As soon as I started doing the Yilu, immediately my first thought went to Daqingshan!

Having spent almost 7 moths on the mountain, we passed many nights under the sky, since we had almost every night training sessions at 20:00, which included mostly Yilus, foundations, push-hands from time to time and various events, mostly in the summer. Read more

Intermediate Correction and Lessons for positive circle, twist towel, fetch water, double negative
Presenter: Chen Zhonghua   Length: 14 min.   In: English   Year: 2015  Difficulty:1/5

Foundation Correction (Rick 2015)
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I had an interesting experience lately. I took singing classes with a professional classical singer. It was only one single event, but I learned two important things in those one and a half hours which are not only reflecting back on my Taijiquan but also on my life in general.

Western Learning Methods
Everything is about intellectually understanding things. After listening to my singing for a short time and before the teaching started I got two or three pages of text describing how the breathing organs work and how those relate to singing. Doing Practical Method for a while now and being in contact with eastern learning methods I just skipped through the pages to see if there’s something useful. I asked the teacher whether knowing this stuff is of any importance, especially in the beginning. She said, being a little puzzled, that most people want to know what they are doing, first. Intellectually. I explained, that I do PM and I trust her as a teacher to lead me through exercises which she figures are important for me at my current state. She started teaching me.

Feeling Awkward
With different exercises she tried to get me in a mode where the voice was full. She put me on a stepper on which I had to walk while singing. At some point I had to lean forward in a shoulder wide stance. Singing “dui dui dui” up and down the scale in this position felt strange and she directed me saying “try this” or “try that”. At some point my voice felt awkward. The setting of my muscles in my vocal tract was so wrong. I even got a little scared somehow. I stopped after being in this state for not even a second. Suddenly the teacher almost shouted at me: “why did you stop?! That was wonderful! Do it again!”
Unfortunately, I couldn’t find that setting during the remaining 15 minutes of the lesson.

This moment, when the awkwardness was on its peek was the moment when the door opened. I didn’t step through it, but now I know it’s there, at least. Even if I would have find this door without the teacher, I would be convinced that it’s the wrong door.

Two ends fixed, move the middle

Two ends fixed, move the middle

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Last week Kelvin Ho review turning flower out at bottom of sea. he posted a video and the following points
1) Maintain a non-moving vertical rod from head to left heel throughout the action.
2) Hold the right forearm in front of the chest with a fist, while the left fist is on the side of the body.
3) Throw the right fist down to the right side as hard as possible with a raising right knee to create a scissoring effect, while throwing the left fist up to the left ear.
4) There should be no tossing or turning of the body, but there is a spiral stretch along the vertical rod Read more

Practical Method Meetup in Vienna, Europe

Practical Method Meetup in Vienna, Europe
17th – 19th February 2017

What a cool experience! On 17th of February 2017 we had the first PM Meetup in Europe. A meetup which was dedicated to meet other groups practicing our art. It was no workshop in that sense, but we were lucky, that Rick Pietila, a disciple of Master Chen was still in Vienna at that time and was leading most of the training. He prepared a training schedule which build up over the course of the meetup. Everybody was exhausted afterwards, but happy to meet other peers and to have learned so much from Rick.

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IMG_20170304_Bruce_Mark_Lucas_Kewei

We worked on a few different moves in the form today. The first 3 moves required standing on one leg.

  1. White Ape Presents Fruit (Drilled 50 times on each side)
  2. Kick with Right/Left Heel
  3. Turning Flower out of the Bottom of the Sea
  4. Punch to the Groin
  5. Punch to the Ground
  6. Turn Over Body and Double Kick

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Yilu move detail, 5 Elements / Dimension Power, Adherence, Indirect Power
Presenter: Chen Zhonghua   Length: 9 min.   In: English   Year: 2016  Difficulty:1/5

Poland 2106 Day 1 (3)
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