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Here are some of my notes from this morning’s training on Daqingshan where Master Chen went over the two different types of movements in push hands:

  • An opponent can make “local” or “global” moves against you. Local moves involve only part of the body. Global moves involve the whole body.
  • We must learn to match an opponent’s local move with a global move, and vice versa.
  • In Practical Method, local and global moves are as follows:
    – Local = “rotations” occurring in the upper body
    – Global = “revolution” generated through stepping
  • No matter how large a movement is, if it doesn’t involve stepping, it is still a local move.

Hope these notes make sense without seeing what he was talking about. Happy training!

Da Qing Shan 11th October 2017

Gavin
(Australian on the Mountain)

Points to Remember 3

by Gavin on 2017/10/07

This morning at training on the small square of Daqingshan, Master Chen had us all write down the following points to remember for push hands and when making contact with an opponent:

  • Hand must be fixed on opponent
  • Elbow must go down and horizontal (towards dantian).
  • Elbow cannot be lined up with hand. (Master Chen had to elaborate a little more on this one: “The elbow cannot push towards the hand. It moves inward towards dantian but the force generated lines up with the hand”).
  • Shoulder must go straight down
  • Front foot steps in, rear foot follows

If there was any more elaboration on these points, I missed it unfortunately, due to my lacking Chinese language skills, but I hope these points can help you in your training!

Daqingshan morning training 08/10/2017

Gavin
(Australian on the mountain)

Positive Circle Steps i

by admin2 on 2017/09/30

Practical Method Workshop in Phoenix, Arizona

By Master Chen Zhonghua

January 20 and 21 (Saturday and Sunday), 2018

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Facebook Live Interview with our Tim Duehring. Tim is a disciple of Master Chen Zhonghua and had stayed at DaQingShan for a couple of years. He will share about his practice of Hunyuan Chen Style TaiJi and Practical Method. And share his experience living on the mountain. For those of you who are interested what it is like living in China as a foreigner.

Fist covering hand downwards

Stretch right hand from elbow – straight forward, pull back towards left. Left hand covers the right arm, circle the elbow, stretch right arm while placing left hand middle of chest(thumb near chest), rotate the hip towards left stretching all the way while locking right elbow and shoulder.

Drop both hands on the side.

Double negative circle- right hand near the face -left hand straight-left hand palm up drop just above right knee making fist- right hand make a fist- stretch downwards just above right knee – make a fist left hand and stretch opposite side opening the Kua towards the left. All one move

The lock is on right side and the stretch from the hip is towards the left.

Forward double push hands

Right hand positive circle start with elbow in out with hand 2nd positive circle elbow in touch the elbow to right side, lock and rotate torso to left as much as possible

Open left foot using the heel, lock the left side

Step forward pulling right foot ret on toes

Right hand forward, palm up, slightly bend the elbow, left hand palm up and beside the elbow

Step the right foot out 90 degrees lock right side, pull the left foot and place it beside right foot hands placed in front of the body… double push hands, palm facing downwards, chest height.

Jhung Siu Interview i

by admin2 on 2017/08/17

Please post in the comment if there is problem viewing this video if you are not on Facebook

The topic of why we practice Kung Fu slowly in Taiji came up recently. Take for example the Elbow In exercise, what are we trying to achieve with it? Alignment. When the alignment is right, when the elbow is truly in, the opponent holding your hand and wrist will find it hard not to pop and gets sucked into you via your arm. When we practice slowly, we are a) feeling our way to this alignment and b) establishing the habit of being in this Elbow In position during exchanges.

Starting slow and feeling your way and establishing a habit apply to all sorts of learning. Take for example my other hobby, guitar. I certainly don’t turn my drum machine or the backing track to the maximum speed during my first trial/initial learning stage until I have some hours under my belt. When I practice slowly, I find economy in my movement when I have to change chords, it gives me time to digest how to orient my fingers before I need to change chords.

This economy is the same with the Elbow In exercise. My opponent pops when my body has enough economy, if you will, to facilitate a path for my elbow to move into the perfect alignment. This economy consists of building up your body to allow your Kua to open and turned up to meet your shoulder, while my fingers remain pointing at my opponent’s spine throughout the during of the elbow moving in. At the meantime, for your body to remain still/not moving, we maintain a fixed head by imagining the head is leaning against a solid object. In my class, our core exercises are Elbow In with the rubber cord; fetch water with the Yoga block against the knee; and the 1,2,3 step.

Give it a try; the results may surprise you!

最近談起打太極拳為什麼要慢。以收肘為例、到底收肘是練甚麼?是練對準。能對準、肘真正的能收就能輕鬆的把對方蹦起而吸到你身邊。 慢慢練收肘是要練 a) 體驗肘要放那個位才是準、b)養成這對準的習慣。

其實學習甚麼都是慢慢的練、尤其是開初學的階段。比如學習吉他的時候、直至練到有點火候前我總不會把拍子機或伴奏開到標準的節拍。滿滿練就是給自己機會去了解怎樣從一個和弦(chord)轉到下一個和弦、給自己消化一下當要轉和弦轉換時手指是怎樣最有效率的放和動。

能蹦起對方就是了解此效率。身體明白怎樣動才到給肘收的位(大概是胯對上)、對準:胯與膊能對碰(胯上、膊下)、收肘時手指保持對著對方的脊椎。同時、為了保持身體不動、假想頭是靠著硬物。我們上課都是練拉橡皮筋、頂著膝蓋提水、和一二三步。

不防試試、可能有意想不到的收穫。

Fist Draping Over Body (Pi Shen Chui) and Lean with Back (Bei Zhe Kao) 

Double negative circle: Left hand negative circle, right hand elbow in place hand in punch form just above the left knee, right hand negative elbow in place hand in punch form just above the left knee. Repeat twice.

Right arm turn clockwise and raise the arm to crown. Hand in punch form. Left hand rests on the Kua and stretch open. The line and the stretches should be from left heel to right

Cross Hands (Shi Zi Shou) 

Double negative circle, left arm stretched on left side and right arm stretched on the right side higher than left arm, Continue the negative brining arms in a cross position, right above the left, hands in punch form, opposite to the chest, elbows tucked and facing the ground, same time  slide right foot heel first to the right and land.

The Fist of Covering Hand (Yan Shou Gong Chui) Toronto North York Taiji Class April 27, 2017

Double half negative circle open stretch. Over the top full double negative

Left hand palm up stretch forward. Right palm protect face

Right hand fist. Slide on top of left arm while pulling left arm in a fist position on side of torso

Buddha’s Warrior Attendant Pounds Mortar (Jin Gang Dao Dui) Toronto North York Taiji Class on April 20, 2017

Right turn palm motor. Positive and negative circle at the same time. Close left feet. Finish with left turn palm motor

Wade Forward in Twist Steps (Qian Tang Ao Bu) Toronto North York Taiji Class on April 13, 2017

Open left leg stretch arms open as if going through a canal. Left arm cross the right arm while left leg pull up.

Lean left leg on toes and rest ->

Land left leg on the heel with toes up. Rotate the left fixed knee-heel-toes triangle on the heel to land the toes.

Helly everybody, mmexport1494809403138

here my notes of our class today. There was no title, so I would name it: Sequence to complete an action.

Step 1

– is totally free; there is no system

– ex.: go upstairs: one can step with the left foot our right foot first, any position thinkable

– taiji example: making contact with the hand, however and wherever

– learning this step normally takes 3 years

Step 2

– is free, as long as step no. 1 is not affected

– ex.: foot on the steps has to stay, cannot move anymore, but how you are getting the rest of the body on the stairs too, is totally free

– taiji ex.: you can move every point of the body, to come in as long as no. 1 is not moving

– learning this step normally takes 10 years

Step 3

– is free, as long as the centre of no. 2 is not destroyed

– centre can be everywhere

– centre results from size, weight, angles, speed, power etc.

– to learn this step takes normally 30 years

 

Chen Laoshi: “You have to put this into your yilu”, what for me is very difficult, as I am not sure about the no. 2 in every position, before going to the next one. I hope this knowledge will come to me 😉

 

This year we were scheduled to receive master Chen at march, but due to a few issues beyond all of us it wasn’t possible.
The problem for us locally was that by then we had already confirmed with a lot of people, teachers of other taiji styles and other arts who were attending the workshop.
Faced with having to make a decision, me and my partner Flavio Prado decided simply to conduct the workshop ourselves, best we could, and introduce everyone to Practical Method, so when Master Chen comes at a later date, everyone would be more prepared to learn taiji from him.

This is a little bit of how it went down:

We had a lot of fun and everyone was very hard working, interested and pleasant. We finally have an interested group being created which is a great step for us. Everyone in Brazil is dead serious about the martial aspect of the art, which I think benefits the practice.

Taiji is a very interesting art that has different challenges for everyone.

We covered topics ranging from basic foundations, yilu and push hands. Flavio also conducted some lessons on qigong and other general aspects of martial art. Everyone came out feeling they won something, and all of them are very excited with the prospect of being face to face with Master Chen in the future.

Hope you guys enjoy the video, all the best and keep training!

First European Practical Method meeting

The first European Practical Method meeting took place in Vienna in late winter 2017. On 17. – 19. February, people from Göttingen, Berlin and Vienna convened in this wonderful city to practice and exchange experiences.

On Saturday and Sunday, we dedicated a lot of time to practice the Yilu. Also, we worked on basic foundations and put special emphasis on progressions in partner work. Special thanks to Rick, who instructed us in these progressions in the most precise and knowledgeable way.

Altogether, it was a great meeting. I am sure that everyone had her or his very personal insights and “aha!”-moments. I myself, being relatively new to Taiji, surely learned a mountain of things. It has been really motivating to see other people with more experience practicing Taiji.

Many of us already knew each other, having met before on workshops or at Daqingshan, now having the chance to catch up on what happen since then. But many also could get to know each other for the first time. Being able to practice with many enthusiastic and committed people made the days in Vienna an invaluable experience.

Many thanks to Carlotta, Pawel, Fabian and Rick, who made the meeting possible. Thanks to your commitment, it has been a wonderful and enriching weekend. Hope to see all of you again and many more on the next meeting, which will probably be hosted in Berlin in 2018.

Best wishes, Jann

On Speed 4

by Brennan Toh on 2017/04/04

Speed is not a function of how fast you can move, but of how quickly you can close distance. As such, speed is not a matter of agility, but of directness.

For example, if I can close the distance between myself and the opponent directly in a linear fashion, I can technically reach the opponent before they reach me. This is because if you can close distance with your whole body, it works as a force multiplier. Not only are you closing distance with one body part (the way an arm would be in a punch), but with multiple body parts. Your lower half is closing distance, your waist is moving closer, AND your arm is reaching out. All these movements together allow for a speed that is quicker than any individual slow or fast twitch muscles on their own. Of course, having quick movements is also of benefit and can work well in conjunction with the rest of the body moving forward.

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Watching the teacher during practice sessions 

In the beginning I used to observer my teacher’s external form. Where is his hands, the right or left moves first, what’s the next move, how high is his hands. Then I learned to observe beyond the physical form. Where is the weight, his focus, which parts of his body he is locking and releasing, path of movement and connection, parts that are strong and relaxed. How the weight is counterbalanced with hands out stretched, or leaning forward/backward.

Then Self-reflection and assessment is key. Understanding how the body works and moves. Physical appearance: grounding, stretching out, grounding more while expending to maintain balance.

Why we shift weight and settle into posture by dropping weight. – My observation of my teacher- dropping weight grounds the body and creates effectiveness. I.e. stepping into opponent’s space- weight forward – settling into pose, structure and weight drop to create effectiveness.

Toronto North York Taiji Class on March 30, 2017

3 steps

Half horse stance posture

Bring right hand 45 degree palm up – Just above the left thigh

Bring left hand near right hand 45 degree palm up, elbows touching in a straight line Pull elbows to dantian at the same time bringing left foot (with toes) in beside the right foot. Rest the heel of the foot. All should be one action, like a bullet.

Things to check.

  • Keep hands straight and locked at all times
  • Keep back straight and lock the right side. Imagine there is a bar from back of right shoulder to right heel.

Review of negative circle
– elbow in hand on outside
– drop hand strait down
– hand out once at elbow torqueing forearm keeping elbow down

starting in front bow stance after bringing in my elbow hand on outside, I found that bringing the hand down helped keep my elbow aligned when the hand went out kelvin Ho reminded me to keep my elbow down. We also performed cross hands draping over the body. Kelvin showed me how the end position had stability by aligning the elbow with the back foot with the fist out like a punch. Kelvin’s hand wrapped my punch and pushed.

Yilu 13 Correction i

by admin2 on 2017/03/25

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Things to remember 

  • Never push your opponent- just stretch your body
  • Find an empty space and direct the force to the emptiness
  • Constantly adjust to your opponent push by filling the space between you and your opponent.
  • When stretching, stretch along the length of your body ( vertical stretch)
  • Lock one side always so you can move your other part.
  • When your lower body is advancing your upper body will need to retrieve backward.
  • When stretching arms, lock shoulders and wrist, cage ribs. Energy will come from chest
  • The closer you are the more you will be able to stretch
  • When moving your body forward “sneaking in” to get closer to your opponent, feet in first then hands.
  • Chest/ rib always tucked in/ caged
  • Lock elbow, shoulder and wrist and open your Kua. Force will come from hip.
  • There are always 3 points, if you gave one point to your opponent, then lock/control the other two points

6 steps

While still weight on right leg and left resting on toes

Right had negative circle (elbow from above), left hand negative circle – (stretching back)

Left leg open forward with heel

Step down (toes should be straight pointing straight forward)

Left hand negative circle and make a fingers “ring” (thumb touching middle finger)

Right hand positive circle

Things to check.

Elbows should be above left thigh

When arms stretched elbows should be pointing to the earth

Center always locked and stretched

‘ Behind Enemy Lines ‘

This is an expression Master Chen uses that I find particularly helpful in understanding the procedure for utilizing the method of fighting taught in the recent video ‘ Move into empty space ‘.

Engage the opponent

… this creates a ‘ front line ‘ like on a battlefield, causing the opponent to commit his troops to maintain that line. This is the same as the demarcation line. The key seems to be to cause the opponent to commit enough of his ‘ forces ‘ and attention to preoccupy him, while you move to step 2

Move into empty space ( Go behind enemy lines )

…. while maintaining the front line, you must use stealth to maneuver, another force to take up a position behind enemy lines, ( beyond the demarcation ( front line ) by moving into the empty space. The keys are, you must maintain the front line, the movement of the secondary forces must neither disturb the front line, nor should they be construed as a threat. In keeping with taiji threory, if the two ends are locked ( non moving ) this requires we move whats in the middle, ideally getting the kua in, (kua to kua)

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1) Today we practiced not moving the knee forward during movements involving steping forward. Think of “stretching” hamstring and calf muscle as if knee pushing those 2 points apart (like a triangle )

Corrections in first movement when arms leads out to right after foot shovels forward-should be a positive circle leading with hand.

Also in first move as arms sweeps through to front, lead with elbow and don’t let arm or elbow drop lower.

In second movement correction was to make sure I never see my palm. Don’t turn wrist.

 

2) White Crane Spreads its Wings

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Block Touching the Coat (Lan Ca Yi) 

6 moves

Wrist cross (Like X) right hand on top of left, fingers pointing downwards.
Lower right elbow open

right hand positive circle, left hand close to left hip.

Shift weight on left foot, right arm positive circle and left negative right, leg stretch to horse stance (all same time) landing on heel

Rest the right feet

Stretch right arm positive circle

Six Sealing and Four Closing (Liu Feng Si Bi) 

6 moves

Right hand positive circle twice (move 1, 2 and 3)

4 – Bring left hand middle of the right arm, both hands at the front of torso, left arm elbow touching left ribcage.

5- Pull left leg to rest toes near right leg – same direction and right feet

6- Rest both palms face down – fingers stretched – elbows slightly bend and tucked in

Single Whip (Dan Bian)

7 moves

1, 2, 3 twisting towel

4- Right hand thumb touches middle finger (making a circle) – right foot toes turns inside

5- left legs opens with heel horse stance

6- Rest the toes of left leg

7- Left hand positive circle

Adjust posture so elbows and knees are slightly bend and hands are stretched (Like T). Drop shoulders “resting” wrists stretched. Keep the right hand thumb touching middle finger (circle).

Turn Left and Buddha’s Warrior Attendant Pounds Mortar (Zuo Zhuan Shen Dao Dui)

6 moves

1-      Left hand negative circle – right positive circle same time – both elbow in the middle of torso close to the body. Right fingers still holding the “circle”

2-      Left opens negative circle stretched right hand near left elbow.

3-      Standing Buddha’s Warrior– stretch arms, keep wrists straight and open the chest by stretching , tummy tucked in, left shoulder backwards

4-       Open left feet from heel to left

5-      Turn left while dragging right leg and resting on the toes of right foot  (same as last moves of golden warrior –  Pull right leg in front of you together with right arm resting on toes / elbow in – raise leg – knee should touch the elbow. Rest of the body shouldn’t move.

6-      Last move of golden warrior except rather than fist in palm, left hand palm open rests on left hand (fist posture) (Legs same as starting position, elbows touching body.)

White Crane Spreads its Wings (Bai He Liang Chi)

4 moves

1-      Hands cross X fingers down and stretched

2-      Stretch your arms forward while right leg with toes only stretch backward, slightly right side, knee straight. Curve and lower the back.

3-      Land the heel of the right foot – put your weight on right leg and lock your right side

4-      Pull your left leg and land on your toes, while hands in positive circle stance. Left hand palm above left knee

 

Just recently we had the honor to serve as a story in one magazine in China “Women of China”. They have a print version beside their online platform at www.womenofchina.com.cn.

Here the two pages, thanks to Sarah Wang for the allowance to publish it.

At this point I also want to remind on our living project on the mountain. We still need some people who might be interested. Within the next season there are some candidates among our full-time students already. We are looking forward. All related information can be found   … here

So here the article:


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Hello everybody,

I have a question about the shoulders or more specific the shoulder blades in these exercises.

Fetch water:

When you practice fetch water, does the (front) shoulder blade rotate/move up or down (the back)? As for the other shoulder, does it Always do the reverse?

My experience is that it rotates up and “over the shoulder”

Positive  circle:

In the first part, rotates the (front) blade up or down and what about the second part?

My experience is that the blade in the first part rotates up “and over” the shoulder and in de second part it drops/rotates down the back.

Negetive circle:

idem, I can imagine it is the same as the positive circle.

Futher I feel a very distinctive flip when you transfer from the first part of the circle to the second part of the circle. I can remember master Chen talking about it in some videos.

Greetings,

Richard

 

 

Daqingshan written by Zi LiThis week it’s been 2 years, since my magical journey in Practical Method Taiji started on Daqingshan Mountain.

Weather has already gotten warmer here in Greece, so last night I went on the balcony to do some Yilus. There is something special in practicing Yilu under the stars! A light breeze from the north, made the stars to shine bright in the dark night. As soon as I started doing the Yilu, immediately my first thought went to Daqingshan!

Having spent almost 7 moths on the mountain, we passed many nights under the sky, since we had almost every night training sessions at 20:00, which included mostly Yilus, foundations, push-hands from time to time and various events, mostly in the summer. Read more

I had an interesting experience lately. I took singing classes with a professional classical singer. It was only one single event, but I learned two important things in those one and a half hours which are not only reflecting back on my Taijiquan but also on my life in general.

Western Learning Methods
Everything is about intellectually understanding things. After listening to my singing for a short time and before the teaching started I got two or three pages of text describing how the breathing organs work and how those relate to singing. Doing Practical Method for a while now and being in contact with eastern learning methods I just skipped through the pages to see if there’s something useful. I asked the teacher whether knowing this stuff is of any importance, especially in the beginning. She said, being a little puzzled, that most people want to know what they are doing, first. Intellectually. I explained, that I do PM and I trust her as a teacher to lead me through exercises which she figures are important for me at my current state. She started teaching me.

Feeling Awkward
With different exercises she tried to get me in a mode where the voice was full. She put me on a stepper on which I had to walk while singing. At some point I had to lean forward in a shoulder wide stance. Singing “dui dui dui” up and down the scale in this position felt strange and she directed me saying “try this” or “try that”. At some point my voice felt awkward. The setting of my muscles in my vocal tract was so wrong. I even got a little scared somehow. I stopped after being in this state for not even a second. Suddenly the teacher almost shouted at me: “why did you stop?! That was wonderful! Do it again!”
Unfortunately, I couldn’t find that setting during the remaining 15 minutes of the lesson.

This moment, when the awkwardness was on its peek was the moment when the door opened. I didn’t step through it, but now I know it’s there, at least. Even if I would have find this door without the teacher, I would be convinced that it’s the wrong door.

Practical Method Meetup in Vienna, Europe

Practical Method Meetup in Vienna, Europe
17th – 19th February 2017

What a cool experience! On 17th of February 2017 we had the first PM Meetup in Europe. A meetup which was dedicated to meet other groups practicing our art. It was no workshop in that sense, but we were lucky, that Rick Pietila, a disciple of Master Chen was still in Vienna at that time and was leading most of the training. He prepared a training schedule which build up over the course of the meetup. Everybody was exhausted afterwards, but happy to meet other peers and to have learned so much from Rick.

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Master Chen’s disciple Ping Wei will again teach Practical Method foundations and Yilu on March 26 (Sunday, 9:30am-1pm and 2-5pm) in Irvine, California. For location and other details, please contact Al Yu at 949-331-2735, or email: mralyu@yahoo.com.

Master Chen in Hong Kong  2016Another year, another step up to see the grand vista of Tai chi. I was able to once again participate in Master Joseph Chen Zhonghua workshop organized by Nicholas Feng, K.T. Lin, Hong Kong Chen Style Taiji Practical Method (香港陳式太極實用拳法).

On a mild holiday weekend, more than thirty participants from Hong Kong, the Mainland, Canada and India gathered to train with Master Chen. A special thanks to Ling Zili who came from Daqinshan to help with the workshop. For two days, Master Chen started with the foundations, then continued with moving, the first thirteen moves of Yilu and occasional bouts of applications training. Master Chen clearly explain how each type of training is directly related to theory of Chen Taijiquan.

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