Kelvin Ho

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Fajin with Six Sealing Four Closing

• Don’t move the hand
• The movements are indirect.
• Move front kua, lock rear kua
• Front kua splits the two hands. Only allow the front hand to move forward.
• Inside must move more than outside.
• Use bie to create the power

Exercise 1:

Rubber between the hand and the foot. Bend down first. Lock the upper body. Push the kua forward towards the rubber.  The focus of this exercise is to train the kua, the use of power in the kua to extend the rubber. This is converting a horizontal movement to a vertical one. We want to train a great range of kua movement. Gradually, increase the tension of the rubber.

The above exercise trains a vertical movement. This is a precursor to the movement needed to do Six Sealing Four Closing. Read more

Today’s exercise is to practice 别开. Get stuck with the opponent at the top, use the kua to rotate the waist. The energy through the middle of the chest must get to the hand.

Set up my hands on something that is totally locked.

标准 is 认可。

Yilu is the first standard when we first learn taiji.

He talked about the story of the storyteller from the native people.

The story words went with the rhythm of music.  If they are wrong, they can’t continue.

Form and Applications were separate before.

2nd Cloud Hand – 衬 – To bring out/support the main thing

3rd Cloud Hand – 盖 – To cover

Bie 别

Lock one side and move the other

Exercise: Put my forearm on the opponent’s chest. Lock the hand, move the elbow. The elbow needs to move along the line of the upper arm.  This is the tangent to the circle. The forearm has a stretch.

Trained power moves using Yilu from first move.

Block Touch Coat: Right hand block

When the person appears to be big and strong, do a bigger circle.

When the person appears to be small and weak, do a smaller circle, more like a direct hit.

We have to train enough to put ourselves in the position of power.

肩和膝管上下。

肘管上身。

胸中间管中线。

胯管左右。

功夫 – 指哪打哪。要一个部位动，就只有这一个部位动。

功夫 – 对方预测不到的。超出了自然。

两种难：

1. 吃苦(累) – 难
2. 挑战(不容易) – 难

要进步：强逼（不做就罚你）、自愿（给引诱的）、被欺骗的（自己不知道）

We need to pass it on. We can’t worry about who can really do it or not.

Passing it on means the receiver remembers what you said, and can repeat the saying.

Story Telling

We use stories to pass on information.

Plains of Abraham: This battle was won by British army. From here, Britian eventually gain control of North America when French Revolution took place, and France gave up North America.

Wuji is there is nothing within an area. You draw a circle to mark an area. Wuji is having a restriction.

1+4 = 2+3 = 5 + 0 = 1.1 + 3.9  Wuji is saything that the sum needs to be 5.

Taiji is to say from 0 to 5.

To say 10, it’s because there are 5 on each side.

Yi (intent) is based on a real experience. Yi is not plain imagination without real experience.

We want the core to control the movements, so we can see the limbs but not the dantian itself. Training: Kick with heel as an exercise.

Lever: one side goes down, but it actually needs to move, so the pivot keeps moving backward within the rod.

Book exercise: Not allowing the book to fall down with your hand and opponent’s hand on it. One person pushs and pulls, the opponent matches the action with the elbow, shoulder, kua, feet.

Leader in 3-count circle

Six Sealing Four Closing: While the two knees are going up and down, they are restricted within a cylinder.

First step in the first move:
After the right turn, my left hand is on the opponent’s elbow not moving, while my right hand holds the opponent’s wrist. Lock my outside, shrink the distance between my right elbow and right kua. This is to fali 发力.

3-count positive circle:

1. Imagine a fixed point beyond the right hand on the straight line between the right hand and right elbow. Pull in the elbow along this line.
2. Imagine a fixed point behind the right kua on the straight line between the right kua and right elbow. Open the kua to stretch and extend the distance along this line.
3. Imagine a fixed point behind the right elbow on the straight line between the right elbow and the right hand. Stretch the right hand out along this line.

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Fixed two dots are static power. Add one more dot between the two is dynamic power.  As long as you can stretch this third dot against the fixed two dots, you have power, e.g.

1. Lock the head and knee, push the kua out.
2. Lock the back of the head and the front shoulder, push the bottom of the neck close to the front shoulder out.

Master Chen explained the difference in the following: 开步、合步、跟步、开脚。

Size of the two gears determines the direction of the resulting power.

Dao – Everything exists as it is.  There is no right or wrong.  The sequence matters. An individual piece is fine as it is.  If you disrupt the flow (the sequence), it becomes problematic.

Elbow (in), Kua (rotate), Hand,(out).  It is wrong when the sequence is messed up.

3 hats:

1. Head to shoulder
2. Chest to kua
3. Kua to foot

松沉 – Vertical plum line, the line has no power itself. The line is a relationship. Taiji needs the relationship to be virtual.

Between the sun and earth, there is gravity, which is the relationship. It is real, but you can’t touch it.

You have learning something once you can paraphrase it.

If you can see it, you have learned it.

If you can really see it, what you see does not change.

To be a student, always collect data/information. Over time, patterns will be formed from such information.

Figure 8 positive circle – A big positive circle in the front, and a small negative circle at the back

Figure 8 negative circle – A small positive circle in the front, and a big negative circle at the back

Use the kua to draw the circle.

All joints between the two ends must be open.  Only the hand against the opponent, and the foot against the floor compress.

At the beginning, when opening one joint, it forces a compression to the next joint. We must continue to open each of them until it reaches the end.

When doing fajin, only go to 80% extension.

The kua goes up to the inside towards the elbow.

Elbow, shoulder, kua are 1/3, 1/3, 1/3.

First half of the circle, push into the front foot, but the foot does not move.

Compass: one needle does not move at all, the 2nd needle is pinned to the paper but to the table. When moving the compass, the 2nd needle will move around the first needle dragging the paper.  The 2nd needle moves on a track (specifically around the first needle).

Those are the 3 kinds of not moving:

1. 1st needle – absolutely not moving
2. 2nd needle – restrictively not moving (moving on a track)
3. 2nd needle and the paper – structurely not moving (between them they didn’t move)

First move of yilu: Vertical rotation inside a cylinder

Three ways of talking about our actions:

1. Separation of Yin and Yang
2. In and Out
3. Lead

Other analogies:

1. Thread, fabric, needle
   1. Needle is outside leading.
   2. Fabric is the barrier.
   3. Thread is inside being pulled.
2. Leading thing must be hard, what is being led is soft.
3. Head must be hard, arm must be soft.
4. Bone is hard, skin/muscle is soft.
5. Top of the head must be hard, whatever below must be soft.
6. This is the training for reversal of yin and yang.
7. Soft means always going around.
8. Stiff is strong.

Going down – It needs to be led by the bottom.

Going left – It needs to be led by the left side

Going right – It needs to be led by the right side.

Going up – It needs to be led by the top.
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Human is the relationship.

Chinese emphasizes on relationship.

Taiji is being the catalyst, and create a relationship between two things.
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Turning Flower from the Bottom of the Sea

• Start by standing on one foot, and practice rotation.
• The right elbow goes sideways while the left arm comes up.
• The right fist continues to go horizontal, the left fist goes up vertically.
• One side horizontal, one size vertical. The middle is in the middle of the chest.
• The fists don’t move, they are stretched from the middle of the chest.

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Kua physically can only go up and down.

Knee physically can only go sideways.

We need to produce the splitting energys all the time.

Turning Flower From the Sea Bottom

• We need to di a sudden stop in the middle to produce penetrating energy, and then let the motion continue on the same trajectory, as in 心口碎大石。

Six Sealing Four Closing

• Lock the middle of the chest, elbow-in with power, and let the shoulder stretch and rotate a lot to go to the other side to throw it back out.
• The same needs to be maintained during moving-step.

Do yilu with fajin for a month, so I am ready to do really do cannon fist.

0 – Wuji 无极

1 – Something comes out of Wuji

2 – Taiji 太极
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Two scales (levers) in the body

Master Chen indicated if we truly understand how to make a lever in the body, then having two of them simply means creating two levers using two different set of body parts.

The 2nd levers must be created separately from the first one. However, they must be related somehow or can be said to share a common point.

Each lever is a gear. Engaging two gears together creates a common point at their teeth, and that is how they relate to each other.
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This demonstration uses two other parts to drive one part, and these parts are interacting gear-like. This is how we are learning to move our body in Practical Method.

“Three” represents a loop, means to repeat things endlessly.

There is really only two main things in Chinese martical arts: horizontal and vertical.

We need to determine horizontal and vertical, one of them is more dominant.

However, you need both of them to be present to say that there is either horizontal or vertical. We need to both to make the distinction.
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Back to the Mar 30, 2021 exercise, there is one part that goes out, and one part that goes up. Eventually, there is a force that goes out and around.

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We use the kua to initate and drive our moves. When that is done, we will see other body parts move, and not the driver itself. Read more

Thursday 8:30 pm to 9:30 pm ET
Fee: $20 USD/class (pay in advance by month) through PayPal (kelvin.ho@kawai.ca), or $25 CAD/class (pay in advance by month) through e-transfer.

If you would like to signup, please contact Kelvin Ho at kelvin.ho@practicalmethod.ca.

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别 Twist

• 杠杆的动作。
• 扭。
• 搓。
• 外头两点动作相对，中间一点不动。

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Levels of the Form

Level 1

1. Rigid
2. A bunch of sticks
3. Machine-like movement
4. With structure

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Ground Dragon

How to pull up the right leg?

• Lock the left kua, and rotate the right kua around and underneath the left kua.

Twist

Need to break a seal, e.g. how to open a stuck jar lid.

1. Lock the two hands, use the front elbow to break the line between the two hands.
2. Lock the two hands, use the front kua to break the line between the two hands.
3. Break using an action on the outside going in.
4. Break using an action on the inside going out.

We need to twist ourselves in the setup, we unwind ourselves in the action.

Imagine that you separate our body into top half and bottom half. At the beginning, they are not twisted such that the front of the top lines up with the front of the bottom. You use your top to match the opponent. You change the bottom to face the other way (180 degrees opposite) while the top continues the same. Now that the top half and bottom half are twisted. There is potential energy built up, as you unwind, power is released, and there will be rotational power.

Lock the right elbow-shoulder-kua triangle, but place it horizontally.

Rotate to the right horizontally using the kuas.

First make the line between the right elbow and left foot. The left foot is supported by the floor.

Later make the line between the right elbow and left knee, but we need to keep the knee up (i.e. the left knee cannot point to the floor).

As we rotate to the right, the right elbow and left knee must continue to expan