Knowledge : Workshop and Class Notes

  • Arm: don’t stretch out fully. The elbow must be bent
  • Power should come from the kua, not from the shoulder
  • The stretch must start from inside

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Turning around without turning around.  This is referring to moving the elbow, while the hand and shoulder are not moving.

Moving the hand will tie a knot in the body.  Thinking of how to reel in with the spool to bring in the hose, and how to get the hose out by holding the end and pulling it out.

All important moves are difficult. Read more

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Greece

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  • At the beginning we repeated the move we were training on 2.11.2020: Lock hand and shoulder on the same line. Move the elbow upward toward the hand/shoulder line
  • This move is the foundation. The power comes indirectly. Only this way we can cause a bounce
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Master Chen had Kelvin Ho restate the content from yesterday’s instructions. The hand and shoulder are on the same line or track. The shoulder is fixed. The elbow goes up into that line, which pushes the hand out. The elbow is the lead.

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Chinese Class

Buddha’s Warriot Attendant Pound Mortar

  • How to lift the right leg? It has to stretch out and then come back.
  • Many people would make the buttock protrude when lifting the leg.

Block Touching Coat

  • The horizontal move (5th count) in Block Touching Coat is not actually a horizontal move.
  • Lock right kua, move left kua, and then lock left kua, move right kua

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I remember reading this story in Italian a few years ago. I found this translation on Internet; hope you enjoy it! Read more

Exercise: From Six sealing and four closing position

  • Lock the two ends: Hand and Shoulder on the same line. Move the middle: Elbow
  • The elbow is placed down. It has to move upward towards the hand-shoulder line
  • Elbow and kua move upwards
  • Intention is how you lead the action
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We are focusing on a simple movement from Six Sealing Four Closing.

Master Chen Foundations Class 2 November 2020

If the hand cannot move, the body must move vertically

Hand cannot move, head cannot move, feet cannot move – only the inside can move

‘Elbow is left behind’ – elbow must lead, kua must lead
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Hello, live in Phoenix, I’ve been studying with Ping Wei for not quite two years. Looking forward to many more years of practice.

Hi all,

Here is my first recorded Yilu-First 13, with a little help from my dog, Calli.
I have been studying Practical Method in Phoenix for three years with Ping Wei.

Until this week, I never tried recording myself, but boy am I glad I did! It is such a helpful tool. .

Hi, on Tues 27 Oct 7:30AM Foundation class, Master Chen shared that when he studied with Grandmaster Feng (I am assuming its Xin Yi Hun Yuan Taiji Quan) he mentioned Grandmaster Feng’s style of instruction was to walk around and execute a single movement (randomly) and not in a continuous manner.   Master Chen went on to explain that the continuous execution of Taiji styles has diluted the original essence of each individual movement as the practitioner transits between each movement.   While performing it may look impressive, but these transitions between movements don’t help in mastering the power of each individual movement.

All the videos I’ve seen of Master Feng (and his daughters) executing Hunyuan are in continuous mode, so it was refreshing to hear from Master Chen about this perspective.   I sincerely hope that Master Chen could share more of his learning experience from Master Feng (and Master Chen Fa Ke as well) so that we can appreciate the differences.

Chinese Class

Separation of Yin and Yang

  • 先合后开 xian he hou kai – Together at first, separate later.
  • How it separates, the rate it separates can be regulated later.
  • e.g. Six Sealing Four Closing, Punch covering hand Read more

In today’s class, the following students received partial Yilu corrections. The focus of the class was going over.

  • Louis Sacharske
  • Tomek Raganowicz
  • Kerstin Frotscher-Kummle
  • Kevin Chen
  • Travis Knaub
  • Yuxin Liu
  • Paul Pryce

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Going Over – We focus on this concept in several moves today.

Flash the back

  • After elbow-in, we use the kua to cause the elbow to go over, so that we can grab the opponent’s wrist on the other side.
  • The other elbow moves in this move also requires going over to break the opponent’s arm at the elbow.
  • Before turning backwards, we just lock the left hand, and bring the right foot over to the other side. Read more

Master Chen is showing us something that we cannot do. So, if we fake it, we are not learning. It is something we cannot do. The learning is to show us our deficiencies not our efficiencies.

It is very important that we never become comfortable. We must be in that position that we are uncomfortable, and stay in that position. We need to stay in that state of uncomfortable without changing our structure. This will allow our us to re calibrate.
In yilu, we must do it one move at a time until we reach our fullest extent and then reset. Master Chen is trying to bring back the original idea, not continuous. Train each move separately.

The stretch from knee to kua the thigh lengthens. We need to go into the uncomfortable position that we are about to fall down or we do fall down.
We need a clear net gain without changing shape. This net gain can only be created with the stretch and no rotation. This needs to be applied in push hands and in practice. To train this you cannot have wobbly moves. If the opponent creates a net gain during push hands and you don’t that goes into you and you lose. Net gain equals net distance.

 

Correction on my form  Need to have 3 solids There is a line at the shoulder level between the front hand and rear shoulder (first 2 solids) I need to stretch the kua down to create the 3rd solid. Read more

Learning Taiji is like climbing the stairs. The teacher has to grind hard on you until you see the first step and put your foot on it. Whatever is correct has to be driven into you. Read more

Correction on my form

  • Need to have 3 solids
    • There is a line at the shoulder level between the front hand and rear shoulder (first 2 solids)
    • I need to stretch the kua down to create the 3rd solid.
    • The first 2 solids form the horizontal bar of a T-bar, while the kua stretching down creates the rod of the T-bar.
    • Master Chen Zhonghua demonstrated six sealing four closing with that rod not moving. Without this part, I will not be able to rotate. With it, things start to become 3-dimensional. It was really like that there was an auger in him.
    • This may seem like a contradiction while we need to push the front kua up, we also need to stretch it down to create a solid. Read more

Today we worked on isolating a movement and twisting the towel. During previous training sessions we did it to feel the trajectory and range. Now we do it with a restriction. The restriction that we did it with was not to move the knee. The main action we were training was twisting the towel with a stretch, not a rotation. Read more

Chinese Class

We do our form in a low stance to train gong. When we use it, we don’t go so low, because it is not agile enough.

Movements need to be big and long.

The kuas need to be just a bit higher than the knees. Read more

High Pad on Horse

  • Rub the torso
  • Only rotate the two shoulders and two kuas

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Chinese Class

Negative Circle

  • In-with-elbow, Zhuan Guan, Out-with-hand
  • We have get the proper ideal image in our mind, even though we can’t do it properly at this point.
  • We must be expressive in our movement during training, so the teacher/instructor can see your intent.

Rotation is when there is movement without displacement.
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Remember to lock one body part to do stretching.   Find one thing and do it right.  Once you have the method, you can repeat it until it exhausts you. Read more

莒县实用拳法讲座20201016-25th Juxian Practical Method Seminar from Oct. 17th to 18th, 2020.

Instructor: Chen Xu.
Wang Kai, Qiu Yingdong. Read more

Chinese Class

Our movements must have a horizontal one and a vertical one intersecting/interacting at the same time.

Three parallel planes

  1. Top plane at the shoulder (including extending the arms)
  2. Middle plane at the waist
  3. Bottom plane at the knees

The integrity of each plane must be maintained. There is a vertical rod that goes through the middle to connect all three planes to fix them in a particular way, but yet they are free to move any other way. Each plane is like a trampoline. This is how we convert opponent’s incoming kinetic energy into potential energy stored in the trampoline, and eventually back to kinetic energy aimed at the opponent. You can also lock any of the planes, and move a different one to create a vertical stretch. With these 3 planes, you can create a lot of variations and configurations.
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Whatever it is that you know, the truth is not like that. Whatever you don’t realize, accidentally it is the correct thing.
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Positive Circle

  • Focus on the use of front kua in Positive Circle to increase the size of the circle.
  • When going down, step the rear foot backward.
  • When coming up, step the rear foot forward.
  • Do the same on both sides.

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Foundations on line notes ~ October 13th 2020 by John Upshaw

 

Kelvin Ho lead us through a positive circle stepping back drill.  With our front hand out, we would step back with a rear foot causing us to go lower, we rotated/shifted from our front kua to our rear kua, rotating the elbow in on the same line with hand staying fixed on that same line…like a spear, tip pointed at the opponent.  By using my kuas in this manner, my range increased.

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  • The learning ratio is strange. Many years of hard work (5 till 10 years) without results. But once you understand the rotation, within 3 months every move of the Yilu starts to make sense

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The subject of the lesson was foundations/positive circle.

Master Chen provided some history of China and the development of taijiquan. He also related a story about how the Practical Method foundations were developed. Read more

Master Chen Zhonghua started with a story about the history of China and Chen Style Taijiquan. Before the first Qin emperor defeated 6 other kings and united China, there was the period of Spring and Autumn 春秋 (which has nothing to do with the two seasons). Back then, there were 800 states, each had their own cultures, and they all flourished. Today, there are different levels of governments in China: Federal, Provincial, and County. The Chinese government wanted to get rid of the county level government, but they couldn’t done. Each county turned out to map back to the old states. The Chinese government had full election for village officials, but there are large families at the county levels, with full election, these large families will gain control at the county level goverments. These families managed to get around the one-child policy themselves.
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In our system, the kua is the dan tien, when both kuas are open, the dan tien is ‘full’

One your body learns rotation, all moves in Yilu make sense.  Without rotation, no Yilu moves make sense.  All the movements will be ‘fake’, ‘made up’, because there is no rotation. Read more

Once again Master Chen found it necessary to tell us how to learn. Many of us were practicing as he was teaching. And of course, I was one of them. He was giving each of us a private lesson and we should have been listening intently. At that point, practicing was just a distraction. Yes, practicing is totally necessary, but not when the teacher is telling us the important things that other teachers would call secrets and probably wouldn’t even teach. If we’re at all smart, we’ll take advantage of the wonderful opportunity Master Chen is providing. Read more

The subject of the lesson was corrections of yilu. Four students performed parts of yilu and received corrections. Read more

Chinese Class

What does it mean to get something into the body?  You are able to do it without thinking about it, e.g. when you can complete a yilu talking to someone, this means the yilu movements become automatic, while your attention is in talking to that person.
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The following people received Yilu correction from Master Chen Zhonghua:

  1. Josh Landau
  2. Frederick Wong
  3. Jack Scott
  4. Mark Hanley
  5. Kevin Chen
  6. Sven Gusowski
  7. Kerstin Frotscher-Kummle

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Today, shifu emphasized on how to learn. The first thing about learning is to listen to instructions and then to copy. Some people tried to copy without listening to the full instructions, and that won’t be a success copy either.

To copy, it’s to do everything exactly the same by definition.
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The subject of the lesson continued working on six sealing four closing.

Master Chen said that people can train for many years but never make the change that will help them improve. They keep doing the same thing that they always have done. We often say old bottle with new wine but in China it is turned around, old wine in new bottle.
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